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Showing posts with label Studio. Show all posts
Showing posts with label Studio. Show all posts
Wednesday, December 12, 2012
Godfathers of Groove Bernard "Pretty" Purdie,Grant Green Jr,Ruben Wilson March 30-31 Tube. Duration : 12.52 Mins.


March 30-31 at Iridium!

Gibson Les Paul Studio 60s Tribute Electric Guitar, Worn Gold Top Review


Gibson Les Paul Studio 60s Tribute Electric Guitar, Worn Gold Top Feature

  • Slim Taper Neck
  • Dual P-90 soap bar single coil pickups
  • Limited Edition
  • Gigbag included
  • Comes with adjustment literature, and documentation for the guitar's Limited Lifetime Warranty, along with Gibson's 24/7/365 Customer Service.
  • Dual P-90 soap bar single coil pickups and slim taper neck.
  • Limited Edition and gigbag included.
  • Comes with adjustment literature, and documentation for the guitar.

Gibson Les Paul Studio 60s Tribute Electric Guitar, Worn Gold Top Overview

In honor of the final incarnation of the original Les Paul, Gibson USA is proud to present the acclaimed Les Paul Studio in an exciting new package. The new Les Paul Studio 60s Tribute model embodies the look and tone of the great original Les Pauls from the 1960s, at a price that fits the wallets of today's hardworking musicians. Ever since its introduction in 1983, the Les Paul Studio model has been enormously popular with players seeking the power and versatility of the original Les Paul Standard in a ready-for-action package, with a price to match.

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*** Product Information and Prices Stored: Dec 12, 2012 12:18:21

Gibson Les Paul Studio 60s Tribute Electric Guitar, Worn Cherry Sunburst Review


Gibson Les Paul Studio 60s Tribute Electric Guitar, Worn Cherry Sunburst Feature

  • Slim Taper Neck
  • Dual P-90 soap bar single coil pickups
  • Limited Edition
  • Gigbag included
  • Comes with adjustment literature, and documentation for the guitar's Limited Lifetime Warranty, along with Gibson's 24/7/365 Customer Service.
  • Dual P-90 soap bar single coil pickups and slim taper neck.
  • Limited Edition and gigbag included.

Gibson Les Paul Studio 60s Tribute Electric Guitar, Worn Cherry Sunburst Overview

In honor of the final incarnation of the original Les Paul, Gibson USA is proud to present the acclaimed Les Paul Studio in an exciting new package. The new Les Paul Studio ’60s Tribute model embodies the look and tone of the great original Les Pauls from the 1960s, at a price that fits the wallets of today’s hardworking musicians. Ever since its introduction in 1983, the Les Paul Studio model has been enormously popular with players seeking the power and versatility of the original Les Paul Standard in a ready-for-action package, with a price to match. The Les Paul Studio '60s Tribute sticks to the script entirely, but its five worn '50s-style finishes reflect the wear of a well-played guitar and its meaty dual single-coil P-90 pickups give it a look akin to classics from the decade of the Les Paul's birth. Meanwhile, its fast SlimTaper™ neck profile reflects the feel of Les Paul Standards from 1960, the year before this legendary solidbody was deleted (temporarily!) from the Gibson lineup.

Fast and Furious, and Ready to Rock!

The Les Paul Studio ’60s Tribute’s Worn Gold Top, Worn Honey Burst, Worn Heritage Cherry Sunburst, Worn Ebony, and Worn White finishes nail the appearance of five popular “Standard” and “Custom” finishes from 1952-60, while its unbound body and neck and chambered mahogany body with carved maple top keep it in line with the simplicity that thousands of Les Paul Studio players already cherish.

A Nashville Tune-o-matic bridge, stopbar tailpiece and Kluson-style tuners keep it all rock-solid and resonant and its gnarly P-90 tone stays true to the Les Paul style. All guitars come protected in a black Gibson gigbag and include a Gibson owner’s manual. Check one out today at your authorized Gibson dealer, and get a chunk of that fast and furious ’60s mojo in your hands.

Body and Finish

Les Paul 60's Tribute body design
A solid, carved maple top and chambered mahogany body give the Les Paul Studio ’60s Tribute the same tonewood combination that has been helping Les Pauls rock for nearly 60 years. Five authentic vintage-style finishes—Worn Gold Top, Worn Honey Burst, Worn Heritage Cherry Sunburst, Worn Ebony or Worn White—present a guitar with the look of a well played original, while the instrument’s unbound body and neck keep it in line with the popular Les Paul Studio line.

Body

  • Species The body of each Les Paul Studio ’60s Tribute is crafted from chambered mahogany, joined to a solid carved maple top with ultra-strong Franklin Titebond 50 glue. These classic tonewoods have yielded some of the most legendary sounds in the history of rock.
  • Tonal Characteristics Mahogany is a medium-dense wood with excellent resonance and superior sustain, and it offers a rich, round, warm tone, but with plenty of high-end sheen and good midrange presence. Add a solid maple top, and the guitar’s tone is enhanced with added clarity, sustain and definition. The body’s chambering also enhances its mellow acoustic resonance, and adds further air to the midrange content.
  • Design The Les Paul Studio ’60s Tribute follows the classic lines of the Les Paul Standard, with a gently arched top and a single cutaway on the treble side of the neck/body joint for improved upper-fret access. The body’s back is routed with a number of chambers which serve to both reduce overall weight, and to enhance the guitar’s resonance.
  • Average Weight The average weight of a Les Paul Studio ’60s Tribute body is 5.13 lbs, which is in the normal range for a Gibson guitar.
  • Surface Texture A grain-textured satin finish with 30-sheen lacquer gives the Les Paul Studio ’60s Tribute a pre-worn look that enhances its vintage image, and offers a smooth, comfortable playing feel. Process The Les Paul Studio ’60s Tribute is hand-finished in nitrocellulose in a process that is carefully monitored to ensure minimum build-up, in an effort to produce a finish that breathes with the guitar and enhances natural resonance, and the final coat is hand-rubbed with a flattening agent to enhance its aged appearance. Unlike many other manufacturers, who settle for a polyurethane finish, Gibson opts for a nitrocellulose finish that will encourage the natural vibration of the instrument for a purer tone. In addition, a nitro finish is very porous and actually gets thinner over time.
  • Process The Les Paul Studio ’60s Tribute is hand-finished in nitrocellulose in a process that is carefully monitored to ensure minimum build-up, in an effort to produce a finish that breathes with the guitar and enhances natural resonance, and the final coat is hand-rubbed with a flattening agent to enhance its aged appearance. Unlike many other manufacturers, who settle for a polyurethane finish, Gibson opts for a nitrocellulose finish that will encourage the natural vibration of the instrument for a purer tone. In addition, a nitro finish is very porous and actually gets thinner over time.

Neck and Headstock

The Les Paul Studio ’60s Tribute is crafted with a solid quarter-sawn mahogany neck with fast SlimTaper™ profile, an unbound rosewood fingerboard, and a headstock set at the traditional 17-degree angle for superior transference of vibrational energy—all ingredients of the classic Les Paul Standard of 1960.
Les Paul 60's Tribute neck and headstock

  • Neck Species The neck of the Les Paul Studio ’60s Tribute is constructed from solid mahogany, cut using the superior “quarter sawn” orientation for improved strength and resonance.
    Les Paul 60's Tribute neck joint
    A quarter-sawn solid mahogany neck
  • Neck Profile The neck on the Les Paul Studio ’60s Tribute is carved to Gibson’s fast yet extremely comfortable SlimTaper™ profile. This neck shape has been a favorite with many players since its arrival on the Les Paul in 1960.
  • Tonal Characteristics Rosewood fingerboards are known for their rich, round tone. Ebony is a very popular up-market fingerboard material, known for its strong, clear tone.
  • Tolerance When fitting the neck and body together, we take advantage of our precise measuring equipment so that all angles, pitches and alignments maintain a tolerance within .005 of an inch. Not only does this help to keep your guitar in tune but it also maintains proper string alignment relative to the fingerboard.
  • Joint Gibson uses what is known as the Mortis & Tenon joint to bind neck to body so that the two pieces form one solid unit. This time-tested technique has been used for millennia in all the great woodworking arts—from shipbuilding to cabinetry—to create one solid wood unit from two separate sections, and has been proven to yield a stronger neck and body than if the instrument was made from a single piece of wood.
    Les Paul 60's Tribute headstock angle
    Gibson’s traditional 17 degree headstock angle
  • Headstock Angle The Les Paul Studio ’60s Tribute headstock is carefully angled at Gibson’s traditional 17 degrees, which increases pressure on the strings and helps them stay in the nut slots. An increase in string pressure also means there is no loss of string vibration between the nut and the tuners, which equals better sustain.
  • Truss Rod Gibson’s traditional truss rod, found in most all of our guitars, is highly responsive to the individual adjustments you’ll want to make to personalize and optimize string action and sustain.
  • Logo The Gibson logo—one of the most globally recognized logos of all time—is silkscreened in gold across the top of the headstock face of the Les Paul Studio ’60s Tribute, with “Les Paul Model” silkscreened along the center of the headstock.
  • Adhesive The adhesive used to join neck and body is Franklin Titebond 50, one of the strongest glues on the market today. Average
  • Weight The average weight of the neck is .98 lbs. Joint Angle 5° (+/- 15 seconds)

Fingerboard and Nut

Les Paul 60's Tribute neck joint
A quarter-sawn solid mahogany neck
  • Fingerboard Species The neck of the Les Paul Studio ’60s Tribute carries a rosewood fingerboard, the traditional fingerboard of the original Les Paul Standard. Rosewood is both hardwearing and sonically superlative, adding sweetness and depth to the guitar’s overall sound. In keeping with the Studio series, the fingerboard remains unbound, a look and feel that also echoes the great Les Paul Special and Junior model guitars of the ’60s.
  • Frets The Les Paul Studio ’60s Tribute sports 22 medium-jumbo frets, all immaculately dressed and polished.
  • Tonal Characteristics Rosewood fingerboards are known for their rich, round tone. Ebony is a very popular up-market fingerboard material, known for its strong, clear tone.
  • Radius The 12-inch radius of the Les Paul Studio ’60s Tribute fingerboard provides smooth note bending capabilities and eliminates “dead” or “choked out” notes, common occurrences on fingerboards with lesser radiuses.
  • Inlays The Les Paul Studio ’60s Tribute fingerboard carries acrylic trapezoid position-marker inlays, echoing the traditional look of the original Les Paul Standard.
  • Nut Material The nut on the Les Paul Studio ’60s Tribute is made from Corian, which is mainly composed of acrylic polymer. This popular synthetic alternative to bone offers a very durable material, delivers enhanced sustain, and holds the tolerances of the precision cuts made in the slotting process. It is installed into the top surface of the neck, butting up to the end of the fingerboard to ensure proper tone and sustain transfer, and its nut slots are cut with Gibson’s PLEK system to ensure precise fit, break angle, and string spacing. Nut Width The width of the nut on the Les Paul Studio ’60s Tribute is approximately 1.695”, the traditional nut width of Gibson electric guitars.

Pickups and Electronics

To give it the vintage look and meaty, raw sound that this rock ’n’ roller deserves, the Les Paul Studio ’60s Tribute carries two Gibson USA P-90 pickups, which are wired through the traditional four-knob Les Paul control array, with a three-way Switchcraft toggle selector.

  • Pickups Model The Les Paul Studio ’60s Tribute is equipped with a pair of Gibson’s P-90 single-coil pickups, as used on original Les Pauls from 1952-56, and on the first Les Paul reissue of 1968. Gibson USA’s P-90s are acclaimed as the finest reproductions of original 1950s P-90s available today.
    • Magnet Material Gibson’s P-90 pickups use Alnico V magnets for a rich, warm response with plenty of bite.
    • Tonal Characteristics Although they are among Gibson’s oldest pickup designs, P-90s have retained devoted followers for more than 60 years. These single-coil pickups have about the same output power as vintage PAF humbucking pickups, with a little more punching power in the midrange, added high-end bite, and a raw, slightly grainy voice overall that makes them perfect for rock and roll, blues, roots-rock, and countless other styles of music.
    Gibson’s P-90 pickups use Alnico V magnets for a rich, warm response with plenty of bite.
    Gibson’s P-90 pickups use Alnico V magnets for a rich, warm response with plenty of bite.
  • Volume Controls The Les Paul Studio ’60s Tribute uses an individual volume control for each pickup, which consists of a quality 300k linear potentiometer for a smooth, natural volume roll-off.
  • Tone Controls The Les Paul Studio ’60s Tribute features individual tone controls for each pickup. The pots have ohm readings of 500k and are non-linear.
  • Toggle Switch The Les Paul Studio ’60s Tribute features one three-way Switchcraft toggle switch. In the down position, only the bridge pickup is active. In the middle position, both pickups are active. In the up position, only the neck pickup is active.
  • Output Jack The guitar features a 1/4” output jack made by Switchcraft. Its super heavy duty construction holds your guitar cable securely in place.

Hardware

Designed to offer the rock solid dependability that today’s musicians demand, while reflecting the look of classic hardware from the mid-’60s, the Les Paul Studio ’60s Tribute’s Nashville Tune-o-matic bridge, stopbar tailpiece, and Kluson-style tuners present a best-of-both-worlds hardware package.

the Les Paul Studio ’60s Tribute’s Nashville Tune-o-matic bridge, stopbar tailpiece, and Kluson-style tuners present a best-of-both-worlds hardware package.
The Les Paul Studio ’60s Tribute’s Nashville Tune-o-matic bridge, stopbar tailpiece, and Kluson-style tuners present a best-of-both-worlds hardware package.
    vintage Kluson-style tuners with green tulip buttons.
    Vintage Kluson-style tuners with green tulip buttons.
  • Tuning Keys The headstock of the Les Paul Studio ’60s Tribute is equipped with vintage Kluson-style tuners with green tulip buttons. These tuners provide a classic look in line with the model’s lineage, and smooth, robust performance.
  • Trussrod Cover As with most Gibson guitars, the truss rod cover on the Les Paul Studio ’60s Tribute is made from black and white vinyl plastic, and is shaped like an antique bell
  • Strap Buttons The Les Paul Studio ’60s Tribute’s aluminum strap buttons are the same style and design that Gibson has used since the early 1950s.
  • Pickguard The Les Paul Studio ’60s Tribute carries a single-ply vintage cream pickguard.
  • Bridge In 1954, Gibson revolutionized guitar hardware when it debuted the Tune-o-matic bridge, setting a standard for simplicity and functionality that has never been bettered. Included on the Les Paul Studio ’60s Tribute, the Nashville Tune-o-matic provides a firm seating for the strings, allowing the player to adjust and fine-tune the intonation and string height in a matter of minutes. It also yields excellent coupling between strings and body, maximizing resonance, tone, and sustain. This bridge is made from Zamak then plated with chrome, and each one weighs approximately .118 lbs.
  • Tailpiece Every Tune-o-matic bridge is combined with a separate “stopbar” tailpiece, which is essentially a modified version of the earlier wraparound bridge that’s designed to further enhance the connection between the strings and the body. The Les Paul Studio ’60s Tribute’s stopbar tailpiece is made from Zamac then plated with chrome, and each one weighs approximately .24 lbs.
  • Control Knobs The control knobs on the Les Paul Studio ’60s Tribute are Gibson’s gold Top-hat knobs with silver inserts, as found on many vintage and modern Gibson guitars.
  • Strings The Les Paul Studio ’60s Tribute is fitted with genuine Gibson strings, sizes .010 - .046.

Specifications

Body
  • Top: Maple
  • Back: Mahogany
  • Body Type: Chambered
  • Adhesive: Franklin Titebond 50
Neck
  • Species: Mahogany
  • Profile: 60's SlimTaper™
  • Truss Rod: Traditional Adjustable
  • Joint Angle: 5° (+/- 15 seconds)
  • Adhesive: Franklin Titebond 50
Fingerboard
  • Species: Rosewood
  • Frets: 22
  • Radius: 12"
  • Nut/E.O.B: 1.695"/2.260"
  • Inlays: Figured Acrylic Trapezoids
Nut
  • Material: Corian
  • Width: 1.695
  • Slots: Gibson PLEK System
Headstock
  • Logo: Gold "Gibson" Logo with scripted "Les Paul Model"
  • Truss Rod Cover: Black and White Antique Bell
Tuners
  • Model: Vintage Tuners with Perloid Buttons
  • Plating: Nickel
  • Tuning Ratio: 14:1
Bridge
  • Type: Nashville Tune-O-Matic
  • Material: Zamak
  • Plating: Chrome
Tailpiece
  • Type: Stop Bar
  • Material: Zamak
  • Plating: Chrome
Hardware
  • Knobs: Gold Top Hat with Chrome Inserts
  • Pickguard: Aged Cream with P-90 Cutaways
  • Toggle Switch Washer: Cream with Gold Silkscreen
  • Control Plate Cover: Smoked "see through" Acrylic
  • Strings: .010 - .046, Genuine Gibson strings
  • Strap Buttons: Aluminum
Pickups
  • Neck Position: P-90
  • Bridge Position: P-90
Electronics
  • Potentiometers: 2 Volume Controls, 2 Tone Controls
  • Type: 300k Linear Volume, 500k Non-linear Tone
  • Coil Wiring : Machine Wound
  • Toggle Switch: Three-way Switchcraft with Creme Plastic Tip
  • Output Jack: Traditional 1/4"
Case
  • Type: Gibson Gig Bag
  • Case Exterior: Black
  • Case Interior: Plush Lining

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*** Product Information and Prices Stored: Dec 12, 2012 11:58:17

Gibson Les Paul Studio Electric Guitar, Worn Brown Satin Review


Gibson Les Paul Studio Electric Guitar, Worn Brown Satin Feature

  • 50s rounded Mahogany neck profile
  • Pair of Burstbucker Pro pickups
  • Newly designed Mahogany Chambered Body with Maple cap for Perfect Tone Balance and Weight
  • Baked Maple fingerboard with figured acrylic trapezoid inlays
  • Vintage-style tuners with 14:1 tuning ratio

Gibson Les Paul Studio Electric Guitar, Worn Brown Satin Overview

The arrival of the Gibson Les Paul Studio Electric Guitar in 1983 offered guitarists all the essential elements of a Les Paul Standard, including a carved top and humbucking pickups. Its simple yet elegant design quickly helped it become the most popular model in the Les Paul Series. Cutting-yet-rich tone—the hallmark of the Les Paul—pours out of the 490R and 498T Alnico II magnet humbucker pickups, which are mounted on a carved maple top with a mahogany back. The faded finish models are equipped with BurstBucker Pro pickups and a mahogany top. The Les Paul Studio Electric Guitar includes a Gibson hardshell case (Faded and satin finish models come with a gig bag) and a limited lifetime warranty. Body and Finish A solid, carved maple top and chambered mahogany body give the Les Paul Studio the same tonewood combination that has been helping Les Paul Standards rock for nearly 60 years. And each of its four available nitrocellulose finishes makes for a stunning looking guitar, even while its no-frills approach eliminates body binding and pickguard. Mahogany is a medium-dense wood with excellent resonance and superior sustain, and it offers a rich, round, warm tone, but with plenty of high-end sheen and good mid-range presence. Add a solid maple top, and the guitar's tone is enhanced with added clarity, sustain and definition. The body's chambering also enhances its mellow acoustic resonance, and adds further air to the midrange content. Pickups Gibson's 498T and 490R pickups ("T" for treble, and "R" for rhythm) have the traditional characteristics of the original "Patent Applied For" pickups of the late 1950s, with a few upgrades. These pickups take advantage of wax potting, which does away with any air space inside the pickup, therefore lessening the chances of microphonic feedback. The result is a humbucker with the tonal characteristics of an original PAF, with a slight increase in upper mid-range response. The Gibson 498T bridge pickup is the 490R's ide

Gibson Les Paul Studio Electric Guitar, Worn Brown Satin Specifications

Some guitar players like the look and feel of a shiny, brand new guitar. Others, however, prefer the look and feel of a timeworn instrument--a guitar, without the sheen, that looks a little used, and has a smooth, worn look to it. For these players, there is the Les Paul Studio Faded from Gibson USA, which lets you see and feel the wood grain's natural beauty. And just like its brother, the Les Paul Studio, the Les Paul Studio Faded offers up breathtaking Les Paul performance in a modern, no-frills package that's sure to please even the most discriminating players.

Pure Les Paul Swagger in a Modern, No-Nonsense Package.

Fast & Comfortable Rounded Neck Profile
Gibson's traditional rounded neck profile, which graces the neck of each Les Paul Studio Faded, is a thicker, rounder profile, emulating the neck shapes of the iconic Les Paul Standards of the late 1950s. Each neck is machined in Gibson's rough mill using wood shapers to make the initial cuts. But once the fingerboard gets glued on, the rest--including the final sanding--is done by hand. That means each neck ends up with ever-so-subtle differences that make each one as exceptional--and unique--as the next.

A thicker, rounder neck profile emulates the neck shapes of the iconic Les Paul Standards of the late 1950s.

Gibson Burstbucker pickups and a Tune-O-Matic bridge.

Gibson's Burstbucker Pro Pickups
Gibson's drive to recapture the magic of the original "Patent Applied For" humbucker pickups of the 1950s culminated with the introduction of the Burstbucker line in the early 1990s. Those Burstbuckers--Types 1, 2, and 3--successfully captured the subtle variations of true, classic humbucker tone with historically "unmatched" bobbin windings and Alnico II magnets. In 2002, Gibson followed up this innovative accomplishment with yet another breakthrough in pickup design--the Burstbucker Pro, designed specifically for the new Les Paul Standards. The Burstbucker Pro features an Alnico V magnet (instead of the Alnico II), which offers slightly higher output and allows preamps to be driven a little harder to achieve a more natural break-up. Like all Burstbuckers, the Burstbucker Pro has asymmetrical coils--true to the original PAFs--which supply a more open sound. The Burstbucker Pro Neck is wound slightly less than the original PAFs, while the Burstbucker Pro Bridge is slightly overwound for increased output. The Burstbucker Pro pickups are also wax potted to allow loud volume pressures with minimal feedback. As with all Gibson pickups, every part is precisely manufactured at Gibson USA in Nashville, Tennessee, insuring tight, seamless fittings, and superior workmanship.

22-Fret Rosewood Fingerboard
Rosewood fingerboards and trapezoid inlays have been a mainstay feature on Les Pauls ever since the model's introduction in the 1950s, and the fingerboards on Gibson's Les Paul Studio Faded are no different. They are constructed from the highest grade rosewood on the planet. Each piece of wood is personally inspected and qualified by Gibson's team of skilled wood experts before it enter the factories to be fitted onto the necks. The resilience of this dense and durable wood makes these fingerboards extremely balanced and stable, and gives each chord and note unparalleled clarity and bite. Additionally, the 12-inch radius of the fingerboard provides smooth note bending capabilities and eliminates "dead" or "choked out" notes. The traditional trapezoid inlays are made of figured acrylic, and offer a classic "pearl" look. They are inserted into the fingerboard using a process that eliminates gaps and doesn't require the use of fillers.

Mahogany Back and Top
There isn't anything more critical than the matching of the Les Paul's mahogany back with its mahogany cap, as well as the regimen involved in selecting the right wood and the formula to dry it out. First, the wood is personally inspected and qualified by Gibson's team of skilled wood experts before it enters the Gibson factories. Inside the Gibson factories, humidity is maintained at 45 percent, and the temperature at 70 degrees. This ensures that the wood is dried to a level of "equilibrium," where the moisture content does not change during the manufacturing process. This guarantees tight-fitting joints and no expansion, and controls the shrinkage and warping of the wood, in addition to reducing the weight. It also improves the wood's machinability and finishing properties, and adherence to glue. Consistent moisture content means that a Gibson guitar will respond evenly to temperature and humidity changes long after it leaves the factory.

Chambered Body
There's something about playing a guitar with perfect tone, balance, and weight. One of the ways the expert craftsmen at Gibson USA achieve this equilibrium is by carving carefully mapped-out chambers in the Les Paul's solid mahogany back using a Computer Numeric Controlled (CNC) router before the mahogany top is glued on. The positioning of the routes was established after careful examination of the resonant characteristics of the Les Paul. Gibson approached this process with the awareness that every change to the formula would have repercussions on the instrument's sound. So, in addition to relieving the stress on a player's back and shoulder, these lighter Gibson guitars also enhance the tone palette in a manner unique only to these guitars. The results are comfortable, lightweight guitars that are acoustically louder, with increased sustain and resonance.

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*** Product Information and Prices Stored: Dec 12, 2012 11:10:28