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Showing posts with label Recording. Show all posts
Showing posts with label Recording. Show all posts
Thursday, December 13, 2012
Inna - Sun Is Up (Ultra Music) Tube. Duration : 3.37 Mins.


Buy the single here: goo.gl www.ultrarecords.com Inna - Sun Is Up from Ultra Music. Ultra Music is one step ahead in the world of dance music and is a leading independent electronic label. Ultra's current roster includes North American artists deadmau5, Wolfgang Gartner, Kaskade, Roger Sanchez, Markus Schulz, Tommie Sunshine, David Morales, Sharam, Cedric Gervais, and international artists Tiƫsto, Above & Beyond, Benny Benassi, Ferry Corsten, Armin van Buuren, Alex Gaudino, Kraak & Smaak, Morcheeba, Congorock, Adrian Lux, GRUM, Unicorn Kid, Fedde le Grand, and others. Ultra has featured releases from the aforementioned artists and many others such as Paul van Dyk, Paul Oakenfold, The Crystal Method, Timo Maas, Sasha & John Digweed, 4 Strings, Panjabi MC, Despina Vandi, Junkie XL and DJ Antoine. Ultra Music Online www.ultramusic.com http www.youtube.com www.youtube.com www.facebook.com

Wednesday, December 12, 2012
Barton Hollow | The Civil Wars | OFFICIAL MUSIC VIDEO | [HD] Video Clips. Duration : 3.82 Mins.


Purchase on iTunes: itunes.com Video filmed and edited by Becky Fluke. Assisting and styling by Elise Yetton for Pennyweight. Further assistance by Bradley Dean. Audio produced by Charlie Peacock. Barton Hollow written by Joy Williams & John Paul White I'm a dead man walking here But that's the least of all my fears Ooh, underneath the water It's not Alabama clay That gives my trembling hands away Please forgive me father Ain't going back to Barton Hollow Devil gonna follow me e'er I go Won't do me no good washing in the river Can't no preacher man save my soul Did that full moon force my hand? Or that un marked hundred grand? Ooh, underneath the water Please forgive me father Miles and miles in my bare feet Still can't lay me down to sleep If I die before I wake I know the Lord my soul won't take I'm a dead man walking I'm a dead man walking Keep walking and running and running for miles Keep walking and running and running for miles Keep walking and running and running for miles Ain't going back to Barton Hollow Devil gonna follow me e'er I go Won't do me no good washing in the river Can't no preacher man save my soul John Paul White is outfitted courtesy of Billy Reid (suit, wingtip shoes, oxford shirt, bow tie). Joy Williams is wearing a Billy Reid knife pleat skirt. For more info and a FREE live album download, visit The Civil Wars at thecivilwars.com follow The Civil Wars on Twitter twitter.com visit The Civil Wars on Facebook: facebook.com

Gibson Les Paul Studio 60s Tribute Electric Guitar, Worn Gold Top Review


Gibson Les Paul Studio 60s Tribute Electric Guitar, Worn Gold Top Feature

  • Slim Taper Neck
  • Dual P-90 soap bar single coil pickups
  • Limited Edition
  • Gigbag included
  • Comes with adjustment literature, and documentation for the guitar's Limited Lifetime Warranty, along with Gibson's 24/7/365 Customer Service.
  • Dual P-90 soap bar single coil pickups and slim taper neck.
  • Limited Edition and gigbag included.
  • Comes with adjustment literature, and documentation for the guitar.

Gibson Les Paul Studio 60s Tribute Electric Guitar, Worn Gold Top Overview

In honor of the final incarnation of the original Les Paul, Gibson USA is proud to present the acclaimed Les Paul Studio in an exciting new package. The new Les Paul Studio 60s Tribute model embodies the look and tone of the great original Les Pauls from the 1960s, at a price that fits the wallets of today's hardworking musicians. Ever since its introduction in 1983, the Les Paul Studio model has been enormously popular with players seeking the power and versatility of the original Les Paul Standard in a ready-for-action package, with a price to match.

Available at Amazon Check Price Now!


*** Product Information and Prices Stored: Dec 12, 2012 12:18:21

Gibson Les Paul Studio Electric Guitar, Worn Brown Satin Review


Gibson Les Paul Studio Electric Guitar, Worn Brown Satin Feature

  • 50s rounded Mahogany neck profile
  • Pair of Burstbucker Pro pickups
  • Newly designed Mahogany Chambered Body with Maple cap for Perfect Tone Balance and Weight
  • Baked Maple fingerboard with figured acrylic trapezoid inlays
  • Vintage-style tuners with 14:1 tuning ratio

Gibson Les Paul Studio Electric Guitar, Worn Brown Satin Overview

The arrival of the Gibson Les Paul Studio Electric Guitar in 1983 offered guitarists all the essential elements of a Les Paul Standard, including a carved top and humbucking pickups. Its simple yet elegant design quickly helped it become the most popular model in the Les Paul Series. Cutting-yet-rich tone—the hallmark of the Les Paul—pours out of the 490R and 498T Alnico II magnet humbucker pickups, which are mounted on a carved maple top with a mahogany back. The faded finish models are equipped with BurstBucker Pro pickups and a mahogany top. The Les Paul Studio Electric Guitar includes a Gibson hardshell case (Faded and satin finish models come with a gig bag) and a limited lifetime warranty. Body and Finish A solid, carved maple top and chambered mahogany body give the Les Paul Studio the same tonewood combination that has been helping Les Paul Standards rock for nearly 60 years. And each of its four available nitrocellulose finishes makes for a stunning looking guitar, even while its no-frills approach eliminates body binding and pickguard. Mahogany is a medium-dense wood with excellent resonance and superior sustain, and it offers a rich, round, warm tone, but with plenty of high-end sheen and good mid-range presence. Add a solid maple top, and the guitar's tone is enhanced with added clarity, sustain and definition. The body's chambering also enhances its mellow acoustic resonance, and adds further air to the midrange content. Pickups Gibson's 498T and 490R pickups ("T" for treble, and "R" for rhythm) have the traditional characteristics of the original "Patent Applied For" pickups of the late 1950s, with a few upgrades. These pickups take advantage of wax potting, which does away with any air space inside the pickup, therefore lessening the chances of microphonic feedback. The result is a humbucker with the tonal characteristics of an original PAF, with a slight increase in upper mid-range response. The Gibson 498T bridge pickup is the 490R's ide

Gibson Les Paul Studio Electric Guitar, Worn Brown Satin Specifications

Some guitar players like the look and feel of a shiny, brand new guitar. Others, however, prefer the look and feel of a timeworn instrument--a guitar, without the sheen, that looks a little used, and has a smooth, worn look to it. For these players, there is the Les Paul Studio Faded from Gibson USA, which lets you see and feel the wood grain's natural beauty. And just like its brother, the Les Paul Studio, the Les Paul Studio Faded offers up breathtaking Les Paul performance in a modern, no-frills package that's sure to please even the most discriminating players.

Pure Les Paul Swagger in a Modern, No-Nonsense Package.

Fast & Comfortable Rounded Neck Profile
Gibson's traditional rounded neck profile, which graces the neck of each Les Paul Studio Faded, is a thicker, rounder profile, emulating the neck shapes of the iconic Les Paul Standards of the late 1950s. Each neck is machined in Gibson's rough mill using wood shapers to make the initial cuts. But once the fingerboard gets glued on, the rest--including the final sanding--is done by hand. That means each neck ends up with ever-so-subtle differences that make each one as exceptional--and unique--as the next.

A thicker, rounder neck profile emulates the neck shapes of the iconic Les Paul Standards of the late 1950s.

Gibson Burstbucker pickups and a Tune-O-Matic bridge.

Gibson's Burstbucker Pro Pickups
Gibson's drive to recapture the magic of the original "Patent Applied For" humbucker pickups of the 1950s culminated with the introduction of the Burstbucker line in the early 1990s. Those Burstbuckers--Types 1, 2, and 3--successfully captured the subtle variations of true, classic humbucker tone with historically "unmatched" bobbin windings and Alnico II magnets. In 2002, Gibson followed up this innovative accomplishment with yet another breakthrough in pickup design--the Burstbucker Pro, designed specifically for the new Les Paul Standards. The Burstbucker Pro features an Alnico V magnet (instead of the Alnico II), which offers slightly higher output and allows preamps to be driven a little harder to achieve a more natural break-up. Like all Burstbuckers, the Burstbucker Pro has asymmetrical coils--true to the original PAFs--which supply a more open sound. The Burstbucker Pro Neck is wound slightly less than the original PAFs, while the Burstbucker Pro Bridge is slightly overwound for increased output. The Burstbucker Pro pickups are also wax potted to allow loud volume pressures with minimal feedback. As with all Gibson pickups, every part is precisely manufactured at Gibson USA in Nashville, Tennessee, insuring tight, seamless fittings, and superior workmanship.

22-Fret Rosewood Fingerboard
Rosewood fingerboards and trapezoid inlays have been a mainstay feature on Les Pauls ever since the model's introduction in the 1950s, and the fingerboards on Gibson's Les Paul Studio Faded are no different. They are constructed from the highest grade rosewood on the planet. Each piece of wood is personally inspected and qualified by Gibson's team of skilled wood experts before it enter the factories to be fitted onto the necks. The resilience of this dense and durable wood makes these fingerboards extremely balanced and stable, and gives each chord and note unparalleled clarity and bite. Additionally, the 12-inch radius of the fingerboard provides smooth note bending capabilities and eliminates "dead" or "choked out" notes. The traditional trapezoid inlays are made of figured acrylic, and offer a classic "pearl" look. They are inserted into the fingerboard using a process that eliminates gaps and doesn't require the use of fillers.

Mahogany Back and Top
There isn't anything more critical than the matching of the Les Paul's mahogany back with its mahogany cap, as well as the regimen involved in selecting the right wood and the formula to dry it out. First, the wood is personally inspected and qualified by Gibson's team of skilled wood experts before it enters the Gibson factories. Inside the Gibson factories, humidity is maintained at 45 percent, and the temperature at 70 degrees. This ensures that the wood is dried to a level of "equilibrium," where the moisture content does not change during the manufacturing process. This guarantees tight-fitting joints and no expansion, and controls the shrinkage and warping of the wood, in addition to reducing the weight. It also improves the wood's machinability and finishing properties, and adherence to glue. Consistent moisture content means that a Gibson guitar will respond evenly to temperature and humidity changes long after it leaves the factory.

Chambered Body
There's something about playing a guitar with perfect tone, balance, and weight. One of the ways the expert craftsmen at Gibson USA achieve this equilibrium is by carving carefully mapped-out chambers in the Les Paul's solid mahogany back using a Computer Numeric Controlled (CNC) router before the mahogany top is glued on. The positioning of the routes was established after careful examination of the resonant characteristics of the Les Paul. Gibson approached this process with the awareness that every change to the formula would have repercussions on the instrument's sound. So, in addition to relieving the stress on a player's back and shoulder, these lighter Gibson guitars also enhance the tone palette in a manner unique only to these guitars. The results are comfortable, lightweight guitars that are acoustically louder, with increased sustain and resonance.

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*** Product Information and Prices Stored: Dec 12, 2012 11:10:28