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Epiphone Zakk Wylde Signature Les Paul Custom Electric Guitar, Bullseye Review

Epiphone Zakk Wylde Signature Les Paul Custom Electric Guitar, Bullseye Feature

• Mahogany body
• EMG-HZ4A pickups
• Rosewood fretboard
• 24.75 scale

Epiphone Zakk Wylde Signature Les Paul Custom Electric Guitar, Bullseye Overview

The Epiphone Zakk Wylde Signature Les Paul Custom is custom-designed by Zakk Wylde, guitarist for Ozzy Osbourne and front man of the Black Lable Society and arguably the most influential guitar hero of our time. Zakk's mind-bending neck speed is closer to your grasp thanks to this model's satin-finish, SlimTaper, set, Hard Maple Neck on Mahogany body with Zakk's distinctive "Bullseye" pattern set on an Antique Ivory finish. His punishing tone is at your fingertips with screaming EMG-HZ4 and EMG-HZ4A humbuckers. More brutal tone and sustain are at your command with Epiphone LockTone™ locking Tune-o-matic bridge and Stop-bar tailpiece. The fast fingerboard has the iconic "block" inlays, as well as the "split-diamond" Abalone headstock inlay.. Also living up to the original style, is the vintage original tone voiced by a pair of high-output Alnico Classic Humbuckers.

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Gibson Les Paul Studio 60s Tribute Electric Guitar, Worn Gold Top Review

Gibson Les Paul Studio 60s Tribute Electric Guitar, Worn Gold Top Feature

• Slim Taper Neck
• Dual P-90 soap bar single coil pickups
• Limited Edition
• Gigbag included
• Comes with adjustment literature, and documentation for the guitar's Limited Lifetime Warranty, along with Gibson's 24/7/365 Customer Service.
• Dual P-90 soap bar single coil pickups and slim taper neck.
• Limited Edition and gigbag included.
• Comes with adjustment literature, and documentation for the guitar.

Gibson Les Paul Studio 60s Tribute Electric Guitar, Worn Gold Top Overview

In honor of the final incarnation of the original Les Paul, Gibson USA is proud to present the acclaimed Les Paul Studio in an exciting new package. The new Les Paul Studio 60s Tribute model embodies the look and tone of the great original Les Pauls from the 1960s, at a price that fits the wallets of today's hardworking musicians. Ever since its introduction in 1983, the Les Paul Studio model has been enormously popular with players seeking the power and versatility of the original Les Paul Standard in a ready-for-action package, with a price to match.

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Gibson 1959 Les Paul Standard VOS Electric Guitar, Faded Tobacco Review

Gibson 1959 Les Paul Standard VOS Electric Guitar, Faded Tobacco Overview

In 1959, the Les Paul Standard made a change to wider, fatter jumbo frets which made it a more facile guitar. The significance of this change wouldn't be felt until the late '60s when Clapton, Bloomfield, Peter Green, and other emerging guitarists discovered its warm, thick BurstBucker voice and fast, smooth and easy-playing neck. Then the Les Paul began its ascent toward ultimate icon status. Like all VOS (Vintage Original Spec) Series instruments, the 1959 Les Paul Standard VOS is handcrafted for comfort and playability in the Gibson Custom Shop. The construction, neck profile, hardware, and electronics are period accurate, and a special nitrocellulose finish treatment gives it the patina of a gently aged vintage guitar. Includes Gibson Custom Shop case, a certificate of authenticity, and custom care kit.

Gibson 1959 Les Paul Standard VOS Electric Guitar, Faded Tobacco Specifications

Gibson's Les Paul Standard model from 1959 is the most highly acclaimed, widely recognized solid body electric guitar in the entire world, coveted by both players and collectors as the ultimate example of playability, attractiveness and tone among all six-stringed instruments. In an industry filled with imitations and replicas, the iconic 1959 Les Paul Standard simply has no equal.

The most highly acclaimed, widely recognized solid body electric guitar in the entire world.

History

Gibson's legendary Burstbucker pickups and Tune-o-matic bridge.

22-fret rosewood fingerboard outfitted with acrylic trapezoid inlays matching the size of color of the originals.

Named after Lester William Polsfuss, aka Les Paul--legendary American jazz guitarist, and true pioneer in the development of recorded music--the Les Paul model guitar became the "Standard" in July 1958 after company president Ted McCarty and his staff decided to add the new designation and forego the guitar's traditional Goldtop finish for a new, brighter finish dubbed Cherry Sunburst, which allowed the natural beauty of the Les Paul Standard's maple top to be showcased. The company was hoping the changes would improve its sales of solid body electric guitars, which had been declining since 1953 when the Gibson shipped 2,245 Les Paul Model guitars.

Unfortunately, sales of the new Les Paul Standard continued to dip, and after shipping only 643 guitars in 1959 and another 635 during the early part of 1960, Gibson once again instituted another redesign of the guitar, abandoning the Les Paul design as we know it today and creating the SG Standard. No one could have imagined, however, that those 1,278 Les Paul Standard guitars--especially the 643 from 1959--would become the most sought after guitars in the world.

Body
While the full impact of the 1959 Les Paul Standard was still several years away from being realized, its influence on guitar design was already well underway. Besides its exceptional tone and playability, the 1959 version of the Les Paul Standard was renowned for its two "bookmatched" pieces of maple wood that made up the top of the guitar. While most of the Les Paul Standard tops in 1958 were considered "plain," some of the maple tops in 1959--and into 1960--were "flamed" or "figured," adding a three-dimensional, cosmetic element never before seen on any solid body guitar. The beautiful patterns, however, went largely unnoticed at the time, with Gibson paying no particular attention to selecting wood with distinct grain patterns. Other cosmetic changes on the 1959 Les Paul Standard included a slightly thinner neck profile, a smaller heel, and a change to larger "jumbo"-sized frets, which are still in use today.

Finish
The guitar's new Cherry Sunburst finish also saw its first full year of use in 1959, despite problems with the consistency of the red pigment used to paint it--a problem that wasn't corrected until late 1960. This caused the finish on many guitars to fade to some degree of amber, honey or yellow hue, further adding to the beauty and mystique of the instrument.

Famous Players
One of the first guitarists to recognize the potential of the 1959 Les Paul Standard was The Rolling Stones' Keith Richards, who obtained a 1959 model in 1964 that had been outfitted with a Bigsby tremolo tailpiece. Around 1966, emerging British guitarist Eric Clapton--himself influenced by the early 1950s Les Paul models played by Freddie King and Hubert Sumlin--also recognized the Les Paul Standard's exceptional tone and playability, and began playing them almost exclusively. Before long, the Les Paul Standards of the late 1950s had found their way into the hands of future guitar legends Jimmy Page, Jeff Beck, Duane Allman, Peter Green and Michael Bloomfield, among others, eventually helping to reshape the sound of a worldwide musical movement, while forever changing the standard by which all other electric guitars are measured.

Near-perfect Recreation
The 1959 Les Paul Standard reissue produced today by Gibson Custom is true to all of the original instrument's features and characteristics, including Gibson's traditional hand-carved "figured" maple top and solid, non-weight relieved mahogany body. The headstock is made from Holly head veneer, as opposed to fiber, just like it was in 1959, and the vintage-style tulip tuners are mounted in a straight line, also as they were on the original. The 24 3/4-inch scale length neck is made from one solid piece of mahogany, and attached to the body using a long neck tenon--one of the Les Paul's more distinguishing characteristics of the 1950s. The neck is topped by a 22-fret rosewood fingerboard outfitted with acrylic trapezoid inlays matching the size and color of the originals. Of course, two of Gibson's legendary Burstbucker pickups deliver all the subtle variations of true, classic "Patent Applied For" humbucker tone by using historically "unmatched" bobbin windings and Alnico II magnets. Other historical appointments include CTS potentiometers, bumble bee capacitors, rolled creme-colored fingerboard binding, single-ply creme-colored binding around the body, and a period-correct thin toggleswitch washer and jackplate. The 1959 Les Paul Standard comes in either a V.O.S. or Gloss finish, and with the standard Gibson Custom case, custom care kit and certificate of authenticity. They are available in Faded Tobacco Burst, Washed Cherry Burst and Iced Tea Burst.

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Gibson Les Paul Studio Electric Guitar, Worn Brown Satin Review

Gibson Les Paul Studio Electric Guitar, Worn Brown Satin Feature

• 50s rounded Mahogany neck profile
• Pair of Burstbucker Pro pickups
• Newly designed Mahogany Chambered Body with Maple cap for Perfect Tone Balance and Weight
• Baked Maple fingerboard with figured acrylic trapezoid inlays
• Vintage-style tuners with 14:1 tuning ratio

Gibson Les Paul Studio Electric Guitar, Worn Brown Satin Overview

The arrival of the Gibson Les Paul Studio Electric Guitar in 1983 offered guitarists all the essential elements of a Les Paul Standard, including a carved top and humbucking pickups. Its simple yet elegant design quickly helped it become the most popular model in the Les Paul Series. Cutting-yet-rich tone—the hallmark of the Les Paul—pours out of the 490R and 498T Alnico II magnet humbucker pickups, which are mounted on a carved maple top with a mahogany back. The faded finish models are equipped with BurstBucker Pro pickups and a mahogany top. The Les Paul Studio Electric Guitar includes a Gibson hardshell case (Faded and satin finish models come with a gig bag) and a limited lifetime warranty. Body and Finish A solid, carved maple top and chambered mahogany body give the Les Paul Studio the same tonewood combination that has been helping Les Paul Standards rock for nearly 60 years. And each of its four available nitrocellulose finishes makes for a stunning looking guitar, even while its no-frills approach eliminates body binding and pickguard. Mahogany is a medium-dense wood with excellent resonance and superior sustain, and it offers a rich, round, warm tone, but with plenty of high-end sheen and good mid-range presence. Add a solid maple top, and the guitar's tone is enhanced with added clarity, sustain and definition. The body's chambering also enhances its mellow acoustic resonance, and adds further air to the midrange content. Pickups Gibson's 498T and 490R pickups ("T" for treble, and "R" for rhythm) have the traditional characteristics of the original "Patent Applied For" pickups of the late 1950s, with a few upgrades. These pickups take advantage of wax potting, which does away with any air space inside the pickup, therefore lessening the chances of microphonic feedback. The result is a humbucker with the tonal characteristics of an original PAF, with a slight increase in upper mid-range response. The Gibson 498T bridge pickup is the 490R's ide

Gibson Les Paul Studio Electric Guitar, Worn Brown Satin Specifications

Some guitar players like the look and feel of a shiny, brand new guitar. Others, however, prefer the look and feel of a timeworn instrument--a guitar, without the sheen, that looks a little used, and has a smooth, worn look to it. For these players, there is the Les Paul Studio Faded from Gibson USA, which lets you see and feel the wood grain's natural beauty. And just like its brother, the Les Paul Studio, the Les Paul Studio Faded offers up breathtaking Les Paul performance in a modern, no-frills package that's sure to please even the most discriminating players.

Pure Les Paul Swagger in a Modern, No-Nonsense Package.

Fast & Comfortable Rounded Neck Profile
Gibson's traditional rounded neck profile, which graces the neck of each Les Paul Studio Faded, is a thicker, rounder profile, emulating the neck shapes of the iconic Les Paul Standards of the late 1950s. Each neck is machined in Gibson's rough mill using wood shapers to make the initial cuts. But once the fingerboard gets glued on, the rest--including the final sanding--is done by hand. That means each neck ends up with ever-so-subtle differences that make each one as exceptional--and unique--as the next.

A thicker, rounder neck profile emulates the neck shapes of the iconic Les Paul Standards of the late 1950s.

Gibson Burstbucker pickups and a Tune-O-Matic bridge.

Gibson's Burstbucker Pro Pickups
Gibson's drive to recapture the magic of the original "Patent Applied For" humbucker pickups of the 1950s culminated with the introduction of the Burstbucker line in the early 1990s. Those Burstbuckers--Types 1, 2, and 3--successfully captured the subtle variations of true, classic humbucker tone with historically "unmatched" bobbin windings and Alnico II magnets. In 2002, Gibson followed up this innovative accomplishment with yet another breakthrough in pickup design--the Burstbucker Pro, designed specifically for the new Les Paul Standards. The Burstbucker Pro features an Alnico V magnet (instead of the Alnico II), which offers slightly higher output and allows preamps to be driven a little harder to achieve a more natural break-up. Like all Burstbuckers, the Burstbucker Pro has asymmetrical coils--true to the original PAFs--which supply a more open sound. The Burstbucker Pro Neck is wound slightly less than the original PAFs, while the Burstbucker Pro Bridge is slightly overwound for increased output. The Burstbucker Pro pickups are also wax potted to allow loud volume pressures with minimal feedback. As with all Gibson pickups, every part is precisely manufactured at Gibson USA in Nashville, Tennessee, insuring tight, seamless fittings, and superior workmanship.

22-Fret Rosewood Fingerboard
Rosewood fingerboards and trapezoid inlays have been a mainstay feature on Les Pauls ever since the model's introduction in the 1950s, and the fingerboards on Gibson's Les Paul Studio Faded are no different. They are constructed from the highest grade rosewood on the planet. Each piece of wood is personally inspected and qualified by Gibson's team of skilled wood experts before it enter the factories to be fitted onto the necks. The resilience of this dense and durable wood makes these fingerboards extremely balanced and stable, and gives each chord and note unparalleled clarity and bite. Additionally, the 12-inch radius of the fingerboard provides smooth note bending capabilities and eliminates "dead" or "choked out" notes. The traditional trapezoid inlays are made of figured acrylic, and offer a classic "pearl" look. They are inserted into the fingerboard using a process that eliminates gaps and doesn't require the use of fillers.

Mahogany Back and Top
There isn't anything more critical than the matching of the Les Paul's mahogany back with its mahogany cap, as well as the regimen involved in selecting the right wood and the formula to dry it out. First, the wood is personally inspected and qualified by Gibson's team of skilled wood experts before it enters the Gibson factories. Inside the Gibson factories, humidity is maintained at 45 percent, and the temperature at 70 degrees. This ensures that the wood is dried to a level of "equilibrium," where the moisture content does not change during the manufacturing process. This guarantees tight-fitting joints and no expansion, and controls the shrinkage and warping of the wood, in addition to reducing the weight. It also improves the wood's machinability and finishing properties, and adherence to glue. Consistent moisture content means that a Gibson guitar will respond evenly to temperature and humidity changes long after it leaves the factory.

Chambered Body
There's something about playing a guitar with perfect tone, balance, and weight. One of the ways the expert craftsmen at Gibson USA achieve this equilibrium is by carving carefully mapped-out chambers in the Les Paul's solid mahogany back using a Computer Numeric Controlled (CNC) router before the mahogany top is glued on. The positioning of the routes was established after careful examination of the resonant characteristics of the Les Paul. Gibson approached this process with the awareness that every change to the formula would have repercussions on the instrument's sound. So, in addition to relieving the stress on a player's back and shoulder, these lighter Gibson guitars also enhance the tone palette in a manner unique only to these guitars. The results are comfortable, lightweight guitars that are acoustically louder, with increased sustain and resonance.

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