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Gibson Angus Young Signature SG Electric Guitar, Ebony - Chrome Hardware Review

Gibson Angus Young Signature SG Electric Guitar, Ebony - Chrome Hardware Feature

• Mahogany neck with 22-fret ebony fingerboard and acrylic "lightning bolt" inlays
• Gibson 57 Classic (neck) and Angus Young (bridge) humbuckers with three-way toggle, independent tone/volume
• Gibson Tune-o-Matic bridge with stopbar tailpiece
• Kluson-style pearloid button tuning machines with 14:1 ratio
• Solid mahogany body with set-neck construction

Gibson Angus Young Signature SG Electric Guitar, Ebony - Chrome Hardware Overview

New for 2010! The Gibson USA Angus Young SG not only captures the look, feel and sound of a classic SG, it also embodies some of the rare specs and qualities of Angus’s own ’68 model, known to be a stand-out example among a classic breed. It’s light, all-mahogany body yields superb resonance, while its extra slim, narrow neck provides unparalleled playability—and, topped with an upgraded ebony fingerboard with lightning-bolt inlays, it also provides a look that will help any rocker stand out from the crowd. Loaded with Gibson’s popular 57 Classic humbucking pickup in the neck and an Angus Young humbucker in the bridge for added punch and sizzle, it also packs all the firepower a gigging guitarist needs to cut it on the big stage.

Gibson Angus Young Signature SG Electric Guitar, Ebony - Chrome Hardware Specifications

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You Rock Guitar YRG-1000 MIDI Controller Electric Guitar Black Review

You Rock Guitar YRG-1000 MIDI Controller Electric Guitar Black Feature

• Advanced digital guitar with 25 real guitar & 50 synth sounds. Jam to 25 song & 50 drum loops.
• Fastest tracking MIDI guitar via low latency USB & 5-pin DIN outputs. Record on Mac or PC software.
• Stereo audio input jack: play along with your mp3 player. 1/8" headphone & 1/4" guitar outputs.
• Play Guitar HeroTM and Rock BandTM with optional GameFlexTM cartridge or Midi Pro Adapters.
• Go mobile! Removable neck lets you take your YRG-1000 anywhere. USB & battery powered.

You Rock Guitar YRG-1000 MIDI Controller Electric Guitar Black Overview

The You Rock DigitalTM is a full-fledged digital and MIDI guitar! It's fast, accurate and feels good to play due to the unique patented fretboard technology.

99 internal presets allow you to choose from any of the internal 25 professionally sampled real guitar sounds, 50 general Midi synth sounds, 25 song & 50 drum loops.

Because it's digital the YRG-1000 Never Needs TuningTM. Select any one of the 65 internal tunings or design 9 custom tunings of your own.

The unique You Rock ModeTM allows you to play along with the internal songs and never play a wrong! Learn to play quickly and easily.

The You Rock Guitar features a built in recorder and even provides an input jack so you can play along with your favorite mp3 player or other audio devices.

USB and MIDI ports allow you to connect the YRG-1000 to your favorite computer music software applications on Mac and PC and other MIDI instruments for recording and learning. USB allows for new downloadable content and upgradable firmware always keeps you up to date.

With the optional GameFlexTM cartridges you can connect to your favorite video games like Guitar HeroTM and Rock BandTM or use a MIDI Pro Adapter for advanced play on WiiTM, PS3TM and Xbox 360TM platforms.

The You Rock Guitar requires USB power or 4 AA batteries (not included).

Includes: You Rock Guitar, user manual, 1/4-inch guitar and USB cables, guitar strap and picks and quick start / guitar chord poster.

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Shubb C1 Original Steel String Capo - Nickel Review

Shubb C1 Original Steel String Capo - Nickel Feature

• For Steel String Guitars
• Fits Acoustic and Electric Guitars
• 2 inches wide, Curved

Shubb C1 Original Steel String Capo - Nickel Overview

For steel string guitar. Fits almost all acoustic and electric steel string guitars. 2 inches wide, curved for a radiused fretboard. What makes the Shubb capo so special? For one thing, its ingenious design: a patented locking action which provides an unrivalled combination of power, speed, accuracy and ease of use. One smooth flip of the lever locks it securely in place... and removes it just as quickly. And the Shubb capo doesn't create tuning problems. Its soft, resilient rubber is specially designed to work just like a fingertip, so it doesn't bend the strings over the frets. Its closing action is just like your hand, so it doesn't pull the string off center. As a result, no re-tuning is necessary!

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Gibson Flying V Electric Guitar, Worn Cherry Satin Review

Gibson Flying V Electric Guitar, Worn Cherry Satin Feature

• 496R and 500T pickups
• Worn Cherry satin lacquer finish
• Slim Taper neck
• Chrome Hardware
• Includes Gig Bag

Gibson Flying V Electric Guitar, Worn Cherry Satin Overview

Gibson Flying V Faded Electric Guitar; There's a reason V's have been a mainstay for the last 50 years. So ahead of its time with its incredible shape, tone and access to all the frets, the original V came out in '58 and has been a powerhouse guitar ever since. The Gibson Faded Flying V is a reproduction of the '67 model with all the features and specs that made it the guitar it was in its glory days. The look of the Faded V is like no other guitar made before or after. With unlimited neck access, powerful out put and worn finish; this Faded Flying V is sure to be a favorite with fans and players worldwide. Gibson Faded Flying V Features Mahogany body and neck Rosewood fingerboard Dot inlays 496R and 500T ceramic magnet pickups Chrome hardware American Musical Supply - an Authorized Gibson Internet Retailer AmericanMusical.com has been selected as one of Gibson's very few Authorized Internet Retail Sites in the United States. As one of these select few Internet sites, AMS offers an unparalleled selection of all of Gibson's premium brands, all covered by Gibson's Limited Lifetime Warranty - only available from Authorized Gibson retailers. Gibson is recognized as one of the most respected guitar builders in the world. AMS is proud to have a decades-long history with them and honored that Gibson has chosen us to bring their world-class instruments to you. Look for more new product announcements, special events and promotions in the coming months. Gibson - Pure.

Gibson Flying V Electric Guitar, Worn Cherry Satin Specifications

The Gibson Flying V: Introduced in 1958

A certain aura of mystique surrounds the Gibson Flying V. A guitar well ahead of its time when it was introduced in 1958, the Flying V's intense magnetic appeal, powerful sound, and unusually familiar shape have made it one of the most instantly recognizable guitars in the world. Legendary Gibson President Ted McCarty was looking to add a futuristic aspect to the company's image when he introduced the Flying V, and he nailed it. And while some of the greatest guitar players of all-time--including Lonnie Mack and Albert King--immediately embraced the Flying V, it wasn't until Gibson reintroduced the guitar in 1967 that the rest of the world caught on. Guitar Gods like Jimi Hendrix, Johnny Winter, Billy Gibbons, Michael Schenker, and Lenny Kravitz have all succumbed to the Flying V's fascinating allure.

Angled Headstock on the Gibson Flying V

The pointed headstock on the V-Factor X is as typical as it is unique. Like every Gibson headstock, it is carved out of the same piece of mahogany as the neck. It is not a "glued-on" headstock, and the process takes craftsmanship, time, and effort. But the rewards are worth the effort. The headstock is carefully angled at 17 degrees, which increases pressure on the strings and helps them stay in the nut slots. An increase in string pressure also means there is no loss of string vibration between the nut and the tuners, which equals better sustain. A white truss rod cover adds a nice finishing touch to the headstock, and perfectly complements the white pickguard on the V-Factor X body.

The V-Factor: The X Neck Profile on the Gibson Flying V

No guitar neck profiles are more distinguishable than the neck profiles employed on the Gibson models of today. The more traditional '50s neck profile is the thicker, more rounded contour, emulating the neck shapes of Gibson’s iconic models of the late 1950s. The '60s neck profile is considered the more modern, slim-tapered contour most commonly associated with the Gibson models of the early 1960s. The neck on Gibson's V-Factor X has the best of both worlds--it is a hybrid between the '50s rounded contour and the '60s slim-taper profile. As with all Gibson necks, it is machined in Gibson's rough mill using wood shapers to make the initial cuts. Once the fingerboard gets glued on, the rest--including the final sanding--is done by hand. That means there are no two necks with the exact same dimensions. So while it still has the basic characteristics of its respective profile, each neck will be slightly different, with a distinct but traditional feel.

Solid Mahogany Body
The most central of all V-Factor X features is its V-shaped, solid mahogany body. Whether it’s the regular Flying V, or the Gibson V-Factor X, the solid mahogany body provides tone, sustain, and performance. The mahogany goes through the same rigorous selection process as all of Gibson’s woods, and is personally inspected and qualified by Gibson’s team of skilled wood experts before it enters the factories. Inside the Gibson factories, humidity is maintained at 45 percent, and the temperature at 70 degrees. This insures all woods are dried to a level of “equilibrium,” where the moisture content does not change during the manufacturing process. This guarantees tight-fitting joints and no expansion, and helps control the shrinkage and warping of the woods, in addition to helping reduce the weight. It also helps with improving the woods’ machinability and finishing properties. Consistent moisture content means that a Gibson guitar will respond evenly to temperature and humidity changes long after it leaves the factory.

Electronics
When it comes to guitar electronics, less is definitely better. And that certainly holds true with Gibson’s V-Factor X. Gibson has chosen to install two volume controls and only one tone switch, which translates into less resistance between the pickup and the actual output. That means you end up with nothing but pure tone from the pickup, and one flat-out screaming rock and roll machine.

Gibson's 496R and 500T Pickups
No event is more responsible for dramatically influencing the evolution of popular music than Gibson’s introduction of the double-coil "humbucking" pickup in 1955. From the warm jazz tones of Charlie Christian, to the world-shaking rockabilly of Scotty Moore, and the cruching rock of Jimmy Page, countless players around the world explored the limitless possibilities of the tonal spectrum through Gibson pickups and guitars. As the musical landscape changed, so did the development of the humbucker pickup. Introduced in the early 1970s, Gibson's 496R and 500T pickups filled the need for more powerful humbuckers and energized the emergence of hard rock and heavy metal. The 496R produces incredible sustain and cutting power with its ceramic magnet, adding more highs with increased definition and no muddiness at all. The 500T is one of Gibson's most powerful pickups, containing a three ceramic magnet structure, which enables a no-holds-barred rock and roll crunch that never loses its rich combination of enhanced lows and crystal clear highs. This is one of Gibson's most potent pickup combinations.

The Gibson Logo
The most innovative and revolutionary stringed instruments of all time have bared the name Gibson--the Les Paul, the ES-335, the Explorer, the Flying V, the SG, the Firebird. The list goes on and on. There is no mistaking the classic Gibson logo, pressed into the V-Factor X's truss rod cover using a gold stamp. It is the most recognizable logo in all of music, representing more than a century of originality and excellence. There is simply no equal.

The History of Gibson's Flying V Electric Guitar
The sleek, space age lines and bold tones of Gibson Flying Vs have seduced generations of players, putting the "Wham" in Lonnie Mack's licks and making Albert King's big-bellied southpaw bends hang in the air like smoking Crisco at a Saturday night fish fry.

Though its origins may lie in the blues, the Flying V found a home in rock and roll, too. A fleet of three Vs gassed Jimi Hendrix's jams 'til he kissed the sky. The guitar humbucked up T. Rex’s roar and gave the Scorpions enough wind to "Rock You Like a Hurricane." Metallica's monolithic wall of sound has a vein of V at its igneous core, and Zakk Wylde has blasted his signature model on-stage and in the studio with Ozzy.

It’s been a half-century of evolution and innovation since the original Flying Vs landed in the hands of musicians. We may still be waiting for our jet packs, but the Flying V took off long ago.

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Line 6 James Tyler Variax JTV-59 Modeling Electric Guitar; Cherry Sunburst Review

Line 6 James Tyler Variax JTV-59 Modeling Electric Guitar; Cherry Sunburst Feature

• Classic late-50's-style single cutaway
• 25 guitars in one. State-of-the-art models of 25 immortal instruments with astonishing advancements in tone, pitch tracking and response.
• 12 tunings. Instantly switch between a set of customized alternate and drop tunings without affecting string tension or guitar playability.
• Virtual capo. Place a "virtual capo" anywhere on the neck without missing a beat.
• Variax Workbench. Swap your P-90 for a lipstick, and more. Workbench software lets you mix and match every guitar body, pickup and alt tuning we offer.
• Variax Workbench. Swap your P-90 for a lipstick, and more. Workbench software lets you mix and match every guitar body,pickup & alt tuning we offer
• Classic late-50's-style single cutaway. 12 tunings.
• Instantly switch between set of customized alternate, drop tunings without affecting string tension/guitar playability.
• Variax Workbench. Swap your P-90 for a lipstick, and more.
• State-of-the-art models of 25 instruments with advancements in tone, pitch tracking and response.
• Workbench software lets you mix and match every guitar body, pickup and alt tuning we offer.

Line 6 James Tyler Variax JTV-59 Modeling Electric Guitar; Cherry Sunburst Overview

James Tyler Variax JTV-59 by Line 6 is the first truly advanced guitar of the 21st century. The finely crafted instrument wraps itself around the very latest Variax technology to excite your fingers, your ears and your imagination.

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*** Product Information and Prices Stored: Dec 12, 2012 13:52:21

Gibson SG Standard Electric Guitar, Heritage Cherry Review

Gibson SG Standard Electric Guitar, Heritage Cherry Feature

• Traditional Rounded Neck Profile
• Gibson's 490R and 498T Pickups
• Solid Mahogany Body
• 22-Fret Rosewood Fingerboards
• Grover Kluson-style Green Key Tuners

Gibson SG Standard Electric Guitar, Heritage Cherry Overview

Like the landmark Les Paul before it, the SG Standard shattered all perceptions of what a guitar could be when it was first introduced in 1961. Today, it stands as one of the most popular and best-selling of all Gibson guitars. Its distinct twin cutaways, pointed horns, and beveled edges have made it one of the most inspired and iconic designs in the history of guitar-making. And not only is it one of the most eye-catching guitar designs, it is also one of the most functional and effective.

Gibson SG Standard Electric Guitar, Heritage Cherry Specifications

Gibson's best-selling SG Standard shatters all perceptions of what an electric guitar can--and should--be. The slim, lightweight mahogany body; unmistakable twin cutaways, pointed horns and beveled edges; the fastest neck in the business; a pair of Gibson's screamin' humbucker pickups--all irresistible features coveted by some of the greatest guitar players of all-time. Various SG models have been played on-stage by the likes of Pete Townshend, Angus Young, Tony Iommi, Robby Krieger, Chris Robinson, Alex Lifeson, Derek Trucks, Elliot Easton, Jim James, Jeff Tweedy, Moby, Keith Urban, Nick Jonas, Rocco DeLuca. When will you add your name?

A New Classic for Rocking Through the Twenty-First Century

Available Finishes

A thicker, rounder, time-honored neck profile emulates the neck shapes of the iconic late '50s Gibson models.

Set-neck construction for better tone, better sustain, and no loose or misaligned necks.

Gibson's 490R AND 498T pickups for screaming tone.

Take your pick between two gorgeous, time-honored finishes--Heritage Cherry or Ebony--both of which are applied by hand in a process that demands several coats and many hours. Unlike a lot of of our competitors, who settle for a polyurethane finish, Gibson opts for a nitrocellulose finish that will encourage the natural vibration of the instrument for a purer tone. In addition, a nitro finish is very porous and actually gets thinner over time. That way your guitar's wood can breathe and age beautifully.

Exquisite Mother-of Pearl and Acrylic Inlays
Among other key distinctions, the SG Standard stands out from its no-frills kid sister, the SG Special, because of the fine mother-of-pearl Gibson logo and holly inlays that decorate its headstock. The SG Standard also boasts figured acrylic trapezoid inlays along its rosewood fingerboard.

'50s Rounded Neck Profile
No guitar neck profiles are more distinguishable than the neck profiles employed on the Gibson models of today. The more traditional '50s neck profile--found on the SG Standard--is the thicker, rounder, more time-honored profile, emulating the neck shapes of the iconic late '50s Gibson models. The neck is machined in Gibson's rough mill using wood shapers to make the initial cuts. But once the fingerboard gets glued on, the rest--including the final sanding--is done by hand. That means there are no two necks with the exact same dimensions. So while it still has the basic characteristics of its respective profile, each neck will be slightly different, with a distinct but traditional feel.

Set-Neck Construction
Like all classic Gibson guitars, the necks on Les Pauls and SGs are distinguished by one of the more traditional features that have always set them apart--a glued neck joint. Gluing the neck to the body of the guitar ensures a "wood-to-wood" contact, no air space in the neck cavity, and maximum contact between the neck and body, allowing the neck and body to function as a single unit. The result? Better tone, better sustain, and no loose or misaligned necks.

Gibson's 490R AND 498T Pickups
The mid to late 1960s saw the emergence of a very different type of music coming from the clubs of England. This new genre's players were demanding more powerful amplifiers with increased volume outputs to satisfy their sonic explorations. This led to a call for a more versatile pickup, and Gibson answered the call with the 490T and 490R pickups ("T" for treble, and "R" for rhythm), humbuckers with the tonal characteristics of an original PAF, but with a slight increase in upper mid-range response. The Gibson 498T bridge pickup is the 490's ideal complement. Taking the 490 one step further, the 498 swaps the Alnico II magnet to an Alnico V, thus making it slightly hotter with emphasis on mid-ranges and highs. The pole pieces on the 498T are also aligned a little further apart to accommodate the spacing of the strings at the bridge, which is different than the spacing of the strings at the neck.

Solid Mahogany Body
Probably the most central of all SG features is its solid mahogany body. The mahogany goes through the same rigorous selection process as all of Gibson's woods, and is personally inspected and qualified by Gibson's team of skilled wood experts before it enters the factories. Inside the Gibson factories, humidity is maintained at 45 percent, and the temperature at 70 degrees. This ensures all woods are dried to a level of "equilibrium," where the moisture content does not change during the manufacturing process. This guarantees tight-fitting joints and no expansion, and controls the shrinkage and warping of the woods, in addition to reducing the weight. It also improves the woods' machinability and finishing properties. Consistent moisture content means that the SG will respond evenly to temperature and humidity changes long after it leaves the factory.

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*** Product Information and Prices Stored: Dec 12, 2012 13:42:15

Epiphone Zakk Wylde Signature Les Paul Custom Electric Guitar, Bullseye Review

Epiphone Zakk Wylde Signature Les Paul Custom Electric Guitar, Bullseye Feature

• Mahogany body
• EMG-HZ4A pickups
• Rosewood fretboard
• 24.75 scale

Epiphone Zakk Wylde Signature Les Paul Custom Electric Guitar, Bullseye Overview

The Epiphone Zakk Wylde Signature Les Paul Custom is custom-designed by Zakk Wylde, guitarist for Ozzy Osbourne and front man of the Black Lable Society and arguably the most influential guitar hero of our time. Zakk's mind-bending neck speed is closer to your grasp thanks to this model's satin-finish, SlimTaper, set, Hard Maple Neck on Mahogany body with Zakk's distinctive "Bullseye" pattern set on an Antique Ivory finish. His punishing tone is at your fingertips with screaming EMG-HZ4 and EMG-HZ4A humbuckers. More brutal tone and sustain are at your command with Epiphone LockTone™ locking Tune-o-matic bridge and Stop-bar tailpiece. The fast fingerboard has the iconic "block" inlays, as well as the "split-diamond" Abalone headstock inlay.. Also living up to the original style, is the vintage original tone voiced by a pair of high-output Alnico Classic Humbuckers.

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*** Product Information and Prices Stored: Dec 12, 2012 13:32:28

Gibson 1957 Les Paul Goldtop Darkback VOS Electric Guitar, Dark Back, Antique Gold Review

Gibson 1957 Les Paul Goldtop Darkback VOS Electric Guitar, Dark Back, Antique Gold Feature

• BurstBucker 1 and 2 pickups
• 24-3/4" scale

Gibson 1957 Les Paul Goldtop Darkback VOS Electric Guitar, Dark Back, Antique Gold Overview

Born in the early '50s, the Les Paul really began taking shape in the mid-50s. Gibson was upgrading many aspects of their trusty axe, including the addition of the Tune-o-matic ABR-1 bridge to the Les Paul in 1956. In 1957, Gibson did it again, adding brand new humbucking pickups to the Les Paul. The rest, as they say, is history. What we have here is a reproduction of the Gibson 1957 Les Paul Goldtop Darkback Reissue, put together by the good folks in the Gibson Custom Shop. Treated with the VOS treatment, the 1957 Les Paul Goldtop Darkback Reissue is crafted from a solid, non-weight relieved hunk of dark mahogany, topped with a carved maple top. The Antique Gold finish is just like the ones you'd see on a vintage '57 Paul, and this beauty is loaded with vintage-voiced humbucking pickups, just like it would've been when it rolled out of Gibson's shop in 1957. There's a reason Gibson stopped innovating the Les Paul in the 1950s: once you've got it perfected, where else do you go with it? The 1957 Les Paul Goldtop Darkback Reissue is a shining example of the quality instruments Gibson is known for.

Gibson 1957 Les Paul Goldtop Darkback VOS Electric Guitar, Dark Back, Antique Gold Specifications

By 1957, Gibson's evolving Les Paul model guitar had already undergone several key modifications that would remain as the foundation of the iconic version known around the world today as the Les Paul Standard. But while the addition of the new Tune-o-matic bridge and stopbar tailpiece one year earlier had greatly improved the overall functionality of the Les Paul, nothing would compare with the addition of Gibson's pioneering humbucking pickup in 1957.

A spectacular instrument, sure to inspire even the most imaginative guitarist.

1957 Les Paul Goldtop Darkback
"A spectacular instrument ... the very feel is sure to inspire even the most imaginative guitarist." -- Original Gibson advertisement, circa 1955

At the direction of legendary Gibson President Ted McCarty, Gibson engineer Seth Lover began working on a tone circuit with hum-cancelling capabilities sometime in 1954, applying for a U.S. design patent--hence the name "Patent Applied For," or "PAF"--on June 22, 1955. By early 1957, the standard double-coil version of the humbucker pickup had begun to appear on Gibson ES-175s and ES-350Ts, and eventually on the Les Paul Model Goldtops of the same year.

Gibson's legendary Burstbucker pickups and Tune-o-matic bridge.

22-fret rosewood fingerboard outfitted with acrylic trapezoid inlays matching the size of color of the originals.

Body
Aside from the pickups, the basic specifications of those 1957 Les Paul Model Goldtops remained the same. There were, however, several minor cosmetic variations that made the 1957 version significant in the development of the Les Paul, the most noteworthy of which was the placement of the inlaid, pearl-cut Gibson logo, which was moved closer to the top edge of the headstock. Additionally, 1957 was to be the last full year of production for a Gibson model with a Goldtop finish. The popular color would not adorn another Gibson guitar until 1968.

But another important variation in 1957 was Gibson's occasional use of a darker mahogany back. Most--if not all--of the "darkback" Les Pauls that left Gibson during this time also had all black parts, including the pickguards and pickup rings. Over time, however, many owners of these guitars have changed the black plastic parts to the more common crème color. Today's 1957 Les Paul Goldtop Darkback from Gibson Custom reflects this detail.

Near-perfect Recreation
Today's 1957 Les Paul Goldtop from the Gibson Custom Shop is a near-perfect recreation of the original instrument, in all of its original brilliance and historical magnificence. The body features Gibson's traditional hand-carved maple top and solid, non-weight relieved mahogany body. The headstock is made from Holly head veneer, as opposed to fiber, just like it was in 1957, and the vintage-style tulip tuners are mounted in a straight line, also as they were on the original. The 24 3/4-inch scale length neck is made from one solid piece of mahogany, and attached to the body using a long neck tenon--one of the Les Paul's more distinguishing characteristics of the 1950s. The neck is topped by a 22-fret rosewood fingerboard outfitted with acrylic trapezoid inlays matching the size of color of the originals. Of course, two of Gibson's legendary Burstbucker pickups deliver all the subtle variations of true, classic humbucker tone by using historically "unmatched" bobbin windings and Alnico II magnets. The guitar's Antique Gold finish also matches the hue of the original model, giving this Custom Shop model the accurate and distinct appearance of this traditional Les Paul. Other historical appointments include CTS potentiometers, bumble bee capacitors, rolled creme-colored fingerboard binding, single-ply thin binding around the body, and period-correct switchwasher and jackplate. The 1957 Les Paul Goldtop comes either a V.O.S. or Gloss finish, and comes with the standard Gibson Custom case, custom care kit and certificate of authenticity.

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Gibson Custom 1959 Les Paul Standard Electric Guitar Washed Cherry Review

Gibson Custom 1959 Les Paul Standard Electric Guitar Washed Cherry Feature

• Carved maple topSolid mahogany backOne-piece mahogany neck with original-style truss rod routing and 1959 rounded neck profile22-fret rosewood fretboard with historically accurate trapezoid inlaysBurstbucker 1 (rhythm) and 2 (treble) pickupsCTS pots and bumblebee capacitors2 volume knobs, 2 tone knobs, and 3-way switchSingle-ply cream binding on top and fretboardNickel hardwareAluminum stopbarOriginal-style toggleswitch washer and jackplateVintage tulip-style tuners

Gibson Custom 1959 Les Paul Standard Electric Guitar Washed Cherry Overview

The Gibson 1959 Les Paul Standard Electric Guitar has an AA flamed maple top - exactly the kind of wood that went on the vintage Les Pauls in '59. BurstBucker 1 and 2 pickups are precision re-creations of original "Patent Applied For" pickups, right down to the mismatched windings. Original bumblebee capacitors, long-tenon 1959 rounded neck profile, CTS pots, original aluminum stopbar, and tons of other details make it look, sound, and play identically to the original. Mahogany back and neck with rosewood fretboard complete this Les Paul reissue.Gibson's Custom Shop produces some of the finest electric guitars on earth. Using the best materials money can buy, a staff of skilled luthiers reproduce some of the greatest Gibsons of the past and create stunning new instruments for players and collectors who demand the best. Check the drop-down menu to the right to select colors and/or other options.

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*** Product Information and Prices Stored: Dec 12, 2012 13:28:19

Gibson 1959 Les Paul Standard VOS Electric Guitar, Washed Cherry Review

Gibson 1959 Les Paul Standard VOS Electric Guitar, Washed Cherry Feature

• Carved maple top Solid, non-weight relieved mahogany back Single-ply cream binding
• Single-ply cream binding1959 rounded neck profile24-3/4" scale1-11/16 nut width Vintage tulip tuners BurstBucker pickups CTS pots and
• Bumblebee capacitors2 volume, 2 tone, 3-way selector
• Thin toggle switch washer and jackplate Nickel hardware ABR-1 bridge and
• Stopbar tailpiece1-piece mahogany neck with long tenon22-fret rosewood finger board Acrylic trapezoid inlays (accurate shape and color)

Gibson 1959 Les Paul Standard VOS Electric Guitar, Washed Cherry Overview

In 1959, the Les Paul Standard made a change to wider, fatter jumbo frets which made it a more facile guitar. The significance of this change wouldn't be felt until the late '60s when Clapton, Bloomfield, Peter Green, and other emerging guitarists discovered its warm, thick BurstBucker voice and fast, smooth and easy-playing neck. Then the Les Paul began its ascent toward ultimate icon status. Like all VOS (Vintage Original Spec) Series instruments, the 1959 Les Paul Standard VOS is handcrafted for comfort and playability in the Gibson Custom Shop. The construction, neck profile, hardware, and electronics are period accurate, and a special nitrocellulose finish treatment gives it the patina of a gently aged vintage guitar. Includes Gibson Custom Shop case and a certificate of authenticity.

Gibson 1959 Les Paul Standard VOS Electric Guitar, Washed Cherry Specifications

Gibson's Les Paul Standard model from 1959 is the most highly acclaimed, widely recognized solid body electric guitar in the entire world, coveted by both players and collectors as the ultimate example of playability, attractiveness and tone among all six-stringed instruments. In an industry filled with imitations and replicas, the iconic 1959 Les Paul Standard simply has no equal.

The most highly acclaimed, widely recognized solid body electric guitar in the entire world.

History

Gibson's legendary Burstbucker pickups and Tune-o-matic bridge.

22-fret rosewood fingerboard outfitted with acrylic trapezoid inlays matching the size of color of the originals.

Named after Lester William Polsfuss, aka Les Paul--legendary American jazz guitarist, and true pioneer in the development of recorded music--the Les Paul model guitar became the "Standard" in July 1958 after company president Ted McCarty and his staff decided to add the new designation and forego the guitar's traditional Goldtop finish for a new, brighter finish dubbed Cherry Sunburst, which allowed the natural beauty of the Les Paul Standard's maple top to be showcased. The company was hoping the changes would improve its sales of solid body electric guitars, which had been declining since 1953 when the Gibson shipped 2,245 Les Paul Model guitars.

Unfortunately, sales of the new Les Paul Standard continued to dip, and after shipping only 643 guitars in 1959 and another 635 during the early part of 1960, Gibson once again instituted another redesign of the guitar, abandoning the Les Paul design as we know it today and creating the SG Standard. No one could have imagined, however, that those 1,278 Les Paul Standard guitars--especially the 643 from 1959--would become the most sought after guitars in the world.

Body
While the full impact of the 1959 Les Paul Standard was still several years away from being realized, its influence on guitar design was already well underway. Besides its exceptional tone and playability, the 1959 version of the Les Paul Standard was renowned for its two "bookmatched" pieces of maple wood that made up the top of the guitar. While most of the Les Paul Standard tops in 1958 were considered "plain," some of the maple tops in 1959--and into 1960--were "flamed" or "figured," adding a three-dimensional, cosmetic element never before seen on any solid body guitar. The beautiful patterns, however, went largely unnoticed at the time, with Gibson paying no particular attention to selecting wood with distinct grain patterns. Other cosmetic changes on the 1959 Les Paul Standard included a slightly thinner neck profile, a smaller heel, and a change to larger "jumbo"-sized frets, which are still in use today.

Finish
The guitar's new Cherry Sunburst finish also saw its first full year of use in 1959, despite problems with the consistency of the red pigment used to paint it--a problem that wasn't corrected until late 1960. This caused the finish on many guitars to fade to some degree of amber, honey or yellow hue, further adding to the beauty and mystique of the instrument.

Famous Players
One of the first guitarists to recognize the potential of the 1959 Les Paul Standard was The Rolling Stones' Keith Richards, who obtained a 1959 model in 1964 that had been outfitted with a Bigsby tremolo tailpiece. Around 1966, emerging British guitarist Eric Clapton--himself influenced by the early 1950s Les Paul models played by Freddie King and Hubert Sumlin--also recognized the Les Paul Standard's exceptional tone and playability, and began playing them almost exclusively. Before long, the Les Paul Standards of the late 1950s had found their way into the hands of future guitar legends Jimmy Page, Jeff Beck, Duane Allman, Peter Green and Michael Bloomfield, among others, eventually helping to reshape the sound of a worldwide musical movement, while forever changing the standard by which all other electric guitars are measured.

Near-perfect Recreation
The 1959 Les Paul Standard reissue produced today by Gibson Custom is true to all of the original instrument's features and characteristics, including Gibson's traditional hand-carved "figured" maple top and solid, non-weight relieved mahogany body. The headstock is made from Holly head veneer, as opposed to fiber, just like it was in 1959, and the vintage-style tulip tuners are mounted in a straight line, also as they were on the original. The 24 3/4-inch scale length neck is made from one solid piece of mahogany, and attached to the body using a long neck tenon--one of the Les Paul's more distinguishing characteristics of the 1950s. The neck is topped by a 22-fret rosewood fingerboard outfitted with acrylic trapezoid inlays matching the size and color of the originals. Of course, two of Gibson's legendary Burstbucker pickups deliver all the subtle variations of true, classic "Patent Applied For" humbucker tone by using historically "unmatched" bobbin windings and Alnico II magnets. Other historical appointments include CTS potentiometers, bumble bee capacitors, rolled creme-colored fingerboard binding, single-ply creme-colored binding around the body, and a period-correct thin toggleswitch washer and jackplate. The 1959 Les Paul Standard comes in either a V.O.S. or Gloss finish, and with the standard Gibson Custom case, custom care kit and certificate of authenticity. They are available in Faded Tobacco Burst, Washed Cherry Burst and Iced Tea Burst.

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*** Product Information and Prices Stored: Dec 12, 2012 13:12:27

Gibson Les Paul Studio 60s Tribute Electric Guitar, Worn Gold Top Review

Gibson Les Paul Studio 60s Tribute Electric Guitar, Worn Gold Top Feature

• Slim Taper Neck
• Dual P-90 soap bar single coil pickups
• Limited Edition
• Gigbag included
• Comes with adjustment literature, and documentation for the guitar's Limited Lifetime Warranty, along with Gibson's 24/7/365 Customer Service.
• Dual P-90 soap bar single coil pickups and slim taper neck.
• Limited Edition and gigbag included.
• Comes with adjustment literature, and documentation for the guitar.

Gibson Les Paul Studio 60s Tribute Electric Guitar, Worn Gold Top Overview

In honor of the final incarnation of the original Les Paul, Gibson USA is proud to present the acclaimed Les Paul Studio in an exciting new package. The new Les Paul Studio 60s Tribute model embodies the look and tone of the great original Les Pauls from the 1960s, at a price that fits the wallets of today's hardworking musicians. Ever since its introduction in 1983, the Les Paul Studio model has been enormously popular with players seeking the power and versatility of the original Les Paul Standard in a ready-for-action package, with a price to match.

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*** Product Information and Prices Stored: Dec 12, 2012 12:18:21

Gibson 1957 Les Paul Goldtop VOS Electric Guitar, Antique Gold Review

Gibson 1957 Les Paul Goldtop VOS Electric Guitar, Antique Gold Feature

• Gibson Les Paul Goldtop Custom 1957 VOS
• Reissue

Gibson 1957 Les Paul Goldtop VOS Electric Guitar, Antique Gold Overview

Born in the early '50s, the Les Paul really began taking shape in the mid-50s. Gibson was upgrading many aspects of their trusty axe, including the addition of the Tune-o-matic ABR-1 bridge to the Les Paul in 1956. In 1957, Gibson did it again, adding brand new humbucking pickups to the Les Paul. The rest, as they say, is history. What we have here is a reproduction of the Gibson 1957 Les Paul Goldtop, put together by the good folks in the Gibson Custom Shop. Treated with the VOS treatment, the 1957 Les Paul Goldtop is crafted from a solid, non-weight relieved hunk of mahogany, topped with a carved maple top. The Antique Gold finish is just like the ones you'd see on a vintage '57 Paul, and this beauty is loaded with vintage-voiced humbucking pickups, just like it would've been when it rolled out of Gibson's shop in 1957. There's a reason Gibson stopped innovating the Les Paul in the 1950s: once you've got it perfected, where else do you go with it? The 1957 Les Paul Goldtop is a shining example of the quality instruments Gibson is known for.

Gibson 1957 Les Paul Goldtop VOS Electric Guitar, Antique Gold Specifications

By 1957, Gibson's evolving Les Paul model guitar had already undergone several key modifications that would remain as the foundation of the iconic version known around the world today as the Les Paul Standard. But while the addition of the new Tune-o-matic bridge and stopbar tailpiece one year earlier had greatly improved the overall functionality of the Les Paul, nothing would compare with the addition of Gibson's pioneering humbucking pickup in 1957.

A truly magnificent instrument, gleaming in gold.

History

Gibson's legendary Burstbucker pickups and Tune-o-matic bridge.

22-fret rosewood fingerboard outfitted with acrylic trapezoid inlays matching the size of color of the originals.

"A truly magnificent instrument with its natural mahogany back and neck, while the top is in gleaming gold with contrasting ivory trim." --Original Gibson advertisement, circa 1955

By 1957, Gibson's evolving Les Paul model guitar had already undergone several key modifications that would remain as the foundation of the iconic version known around the world today as the Les Paul Standard. But while the addition of the new Tune-o-matic bridge and stopbar tailpiece one year earlier had greatly improved the overall functionality of the Les Paul, nothing would compare with the addition of Gibson's pioneering humbucking pickup in 1957.

At the direction of legendary Gibson President Ted McCarty, Gibson engineer Seth Lover began working on a tone circuit with hum-cancelling capabilities sometime in 1954, applying for a U.S. design patent--hence the name "Patent Applied For," or "PAF"--on June 22, 1955. By early 1957, the standard double-coil version of the humbucker pickup had begun to appear on Gibson ES-175s and ES-350Ts, and eventually on the Les Paul Model Goldtops of the same year.

Body
Aside from the pickups, the basic specifications of those 1957 Les Paul Model Goldtops remained the same. There were, however, several minor cosmetic variations that made the 1957 version significant in the development of the Les Paul, the most noteworthy of which was the placement of the inlaid, pearl-cut Gibson logo, which was moved closer to the top edge of the headstock. Additionally, 1957 was to be the last full year of production for a Gibson model with a Goldtop finish. The popular color would not adorn another Gibson guitar until 1968.

Famous Players
The 1957 Les Paul Goldtop was also the model used famously by Duane Allman during the formative years of the Allman Brothers Band and his early session work, including his work with Eric Clapton (Layla sessions), the Allman Brothers Band's legendary Fillmore recordings, as well as their first two albums--a body of work considered by many to be one of the most important in the history of rock and roll.

Near-perfect Recreation
Today's 1957 Les Paul Goldtop from the Gibson Custom Shop is a near-perfect recreation of the original instrument, in all of its original brilliance and historical magnificence. The body features Gibson's traditional hand-carved maple top and solid, non-weight relieved mahogany body. The headstock is made from Holly head veneer, as opposed to fiber, just like it was in 1957, and the vintage-style tulip tuners are mounted in a straight line, also as they were on the original. The 24 3/4-inch scale length neck is made from one solid piece of mahogany, and attached to the body using a long neck tenon--one of the Les Paul's more distinguishing characteristics of the 1950s. The neck is topped by a 22-fret rosewood fingerboard outfitted with acrylic trapezoid inlays matching the size of color of the originals. Of course, two of Gibson's legendary Burstbucker pickups deliver all the subtle variations of true, classic humbucker tone by using historically "unmatched" bobbin windings and Alnico II magnets. The guitar's Antique Gold finish also matches the hue of the original model, giving this Custom Shop model the accurate and distinct appearance of this traditional Les Paul. Other historical appointments include CTS potentiometers, bumble bee capacitors, rolled creme-colored fingerboard binding, single-ply thin binding around the body, and period-correct switchwasher and jackplate. The 1957 Les Paul Goldtop comes either a V.O.S. or Gloss finish, and comes with the standard Gibson Custom case, custom care kit and certificate of authenticity.

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*** Product Information and Prices Stored: Dec 12, 2012 12:02:28

Gibson Les Paul Studio 60s Tribute Electric Guitar, Worn Cherry Sunburst Review

Gibson Les Paul Studio 60s Tribute Electric Guitar, Worn Cherry Sunburst Feature

• Slim Taper Neck
• Dual P-90 soap bar single coil pickups
• Limited Edition
• Gigbag included
• Comes with adjustment literature, and documentation for the guitar's Limited Lifetime Warranty, along with Gibson's 24/7/365 Customer Service.
• Dual P-90 soap bar single coil pickups and slim taper neck.
• Limited Edition and gigbag included.

Gibson Les Paul Studio 60s Tribute Electric Guitar, Worn Cherry Sunburst Overview

Available at Amazon Check Price Now!

*** Product Information and Prices Stored: Dec 12, 2012 11:58:17

Gibson 1959 Les Paul Standard VOS Electric Guitar, Ice Tea Review

Gibson 1959 Les Paul Standard VOS Electric Guitar, Ice Tea Feature

• 24 ?-inch scale length neck is made from one solid piece of mahogany, and attached to the body using a long neck tenon
• Gibsons traditional hand-carved figured maple top and solid, non-weight relieved mahogany body
• The headstock is made from Holly head veneer, as opposed to fiber, just like it was in 1959
• vintage-style tulip tuners are mounted in a straight line, also as they were on the original
• Case, custom care kit and certificate of authenticity

Gibson 1959 Les Paul Standard VOS Electric Guitar, Ice Tea Overview

The Les Paul is one of the most influential guitars ever made, so it must have always been popular, right? Well, by the late '50s, the Les Paul had declined in popularity for whatever reason. In an effort to kick start sales, Gibson shed the Goldtop finish if favor of new translucent finishes that really showed off the beauty of the carved maple tops. Then in 1959 Gibson started equipping the Les Paul Standard with wider, fatter frets. Why? Well, it made bends a whole lot easier and play more expressive. The 1959 Les Paul Standard Reissue is a stunning recreation of the guitar that became the holy grail of Les Pauls. Built just like they were in 1959, the 1959 Les Paul Standard Reissue joins a solid mahogany body to a carved maple top and a long neck tenon mahogany neck. The result is a guitar that's just like the one you could've bought brand new in 1959. The 1959 Les Paul Standard Reissue is a beautiful instrument that you'll cherish for the rest of your life.

Gibson 1959 Les Paul Standard VOS Electric Guitar, Ice Tea Specifications

Gibson's Les Paul Standard model from 1959 is the most highly acclaimed, widely recognized solid body electric guitar in the entire world, coveted by both players and collectors as the ultimate example of playability, attractiveness and tone among all six-stringed instruments. In an industry filled with imitations and replicas, the iconic 1959 Les Paul Standard simply has no equal.

The most highly acclaimed, widely recognized solid body electric guitar in the entire world.

History

Gibson's legendary Burstbucker pickups and Tune-o-matic bridge.

22-fret rosewood fingerboard outfitted with acrylic trapezoid inlays matching the size of color of the originals.

Named after Lester William Polsfuss, aka Les Paul--legendary American jazz guitarist, and true pioneer in the development of recorded music--the Les Paul model guitar became the "Standard" in July 1958 after company president Ted McCarty and his staff decided to add the new designation and forego the guitar's traditional Goldtop finish for a new, brighter finish dubbed Cherry Sunburst, which allowed the natural beauty of the Les Paul Standard's maple top to be showcased. The company was hoping the changes would improve its sales of solid body electric guitars, which had been declining since 1953 when the Gibson shipped 2,245 Les Paul Model guitars.

Unfortunately, sales of the new Les Paul Standard continued to dip, and after shipping only 643 guitars in 1959 and another 635 during the early part of 1960, Gibson once again instituted another redesign of the guitar, abandoning the Les Paul design as we know it today and creating the SG Standard. No one could have imagined, however, that those 1,278 Les Paul Standard guitars--especially the 643 from 1959--would become the most sought after guitars in the world.

Body
While the full impact of the 1959 Les Paul Standard was still several years away from being realized, its influence on guitar design was already well underway. Besides its exceptional tone and playability, the 1959 version of the Les Paul Standard was renowned for its two "bookmatched" pieces of maple wood that made up the top of the guitar. While most of the Les Paul Standard tops in 1958 were considered "plain," some of the maple tops in 1959--and into 1960--were "flamed" or "figured," adding a three-dimensional, cosmetic element never before seen on any solid body guitar. The beautiful patterns, however, went largely unnoticed at the time, with Gibson paying no particular attention to selecting wood with distinct grain patterns. Other cosmetic changes on the 1959 Les Paul Standard included a slightly thinner neck profile, a smaller heel, and a change to larger "jumbo"-sized frets, which are still in use today.

Finish
The guitar's new Cherry Sunburst finish also saw its first full year of use in 1959, despite problems with the consistency of the red pigment used to paint it--a problem that wasn't corrected until late 1960. This caused the finish on many guitars to fade to some degree of amber, honey or yellow hue, further adding to the beauty and mystique of the instrument.

Famous Players
One of the first guitarists to recognize the potential of the 1959 Les Paul Standard was The Rolling Stones' Keith Richards, who obtained a 1959 model in 1964 that had been outfitted with a Bigsby tremolo tailpiece. Around 1966, emerging British guitarist Eric Clapton--himself influenced by the early 1950s Les Paul models played by Freddie King and Hubert Sumlin--also recognized the Les Paul Standard's exceptional tone and playability, and began playing them almost exclusively. Before long, the Les Paul Standards of the late 1950s had found their way into the hands of future guitar legends Jimmy Page, Jeff Beck, Duane Allman, Peter Green and Michael Bloomfield, among others, eventually helping to reshape the sound of a worldwide musical movement, while forever changing the standard by which all other electric guitars are measured.

Near-perfect Recreation
The 1959 Les Paul Standard reissue produced today by Gibson Custom is true to all of the original instrument's features and characteristics, including Gibson's traditional hand-carved "figured" maple top and solid, non-weight relieved mahogany body. The headstock is made from Holly head veneer, as opposed to fiber, just like it was in 1959, and the vintage-style tulip tuners are mounted in a straight line, also as they were on the original. The 24 3/4-inch scale length neck is made from one solid piece of mahogany, and attached to the body using a long neck tenon--one of the Les Paul's more distinguishing characteristics of the 1950s. The neck is topped by a 22-fret rosewood fingerboard outfitted with acrylic trapezoid inlays matching the size and color of the originals. Of course, two of Gibson's legendary Burstbucker pickups deliver all the subtle variations of true, classic "Patent Applied For" humbucker tone by using historically "unmatched" bobbin windings and Alnico II magnets. Other historical appointments include CTS potentiometers, bumble bee capacitors, rolled creme-colored fingerboard binding, single-ply creme-colored binding around the body, and a period-correct thin toggleswitch washer and jackplate. The 1959 Les Paul Standard comes in either a V.O.S. or Gloss finish, and with the standard Gibson Custom case, custom care kit and certificate of authenticity. They are available in Faded Tobacco Burst, Washed Cherry Burst and Iced Tea Burst.

Available at Amazon Check Price Now!

*** Product Information and Prices Stored: Dec 12, 2012 11:54:04

Gibson 1959 Les Paul Standard VOS Electric Guitar, Faded Tobacco Review

Gibson 1959 Les Paul Standard VOS Electric Guitar, Faded Tobacco Overview

In 1959, the Les Paul Standard made a change to wider, fatter jumbo frets which made it a more facile guitar. The significance of this change wouldn't be felt until the late '60s when Clapton, Bloomfield, Peter Green, and other emerging guitarists discovered its warm, thick BurstBucker voice and fast, smooth and easy-playing neck. Then the Les Paul began its ascent toward ultimate icon status. Like all VOS (Vintage Original Spec) Series instruments, the 1959 Les Paul Standard VOS is handcrafted for comfort and playability in the Gibson Custom Shop. The construction, neck profile, hardware, and electronics are period accurate, and a special nitrocellulose finish treatment gives it the patina of a gently aged vintage guitar. Includes Gibson Custom Shop case, a certificate of authenticity, and custom care kit.

Gibson 1959 Les Paul Standard VOS Electric Guitar, Faded Tobacco Specifications

Gibson's Les Paul Standard model from 1959 is the most highly acclaimed, widely recognized solid body electric guitar in the entire world, coveted by both players and collectors as the ultimate example of playability, attractiveness and tone among all six-stringed instruments. In an industry filled with imitations and replicas, the iconic 1959 Les Paul Standard simply has no equal.

The most highly acclaimed, widely recognized solid body electric guitar in the entire world.

History

Gibson's legendary Burstbucker pickups and Tune-o-matic bridge.

22-fret rosewood fingerboard outfitted with acrylic trapezoid inlays matching the size of color of the originals.

Named after Lester William Polsfuss, aka Les Paul--legendary American jazz guitarist, and true pioneer in the development of recorded music--the Les Paul model guitar became the "Standard" in July 1958 after company president Ted McCarty and his staff decided to add the new designation and forego the guitar's traditional Goldtop finish for a new, brighter finish dubbed Cherry Sunburst, which allowed the natural beauty of the Les Paul Standard's maple top to be showcased. The company was hoping the changes would improve its sales of solid body electric guitars, which had been declining since 1953 when the Gibson shipped 2,245 Les Paul Model guitars.

Unfortunately, sales of the new Les Paul Standard continued to dip, and after shipping only 643 guitars in 1959 and another 635 during the early part of 1960, Gibson once again instituted another redesign of the guitar, abandoning the Les Paul design as we know it today and creating the SG Standard. No one could have imagined, however, that those 1,278 Les Paul Standard guitars--especially the 643 from 1959--would become the most sought after guitars in the world.

Body
While the full impact of the 1959 Les Paul Standard was still several years away from being realized, its influence on guitar design was already well underway. Besides its exceptional tone and playability, the 1959 version of the Les Paul Standard was renowned for its two "bookmatched" pieces of maple wood that made up the top of the guitar. While most of the Les Paul Standard tops in 1958 were considered "plain," some of the maple tops in 1959--and into 1960--were "flamed" or "figured," adding a three-dimensional, cosmetic element never before seen on any solid body guitar. The beautiful patterns, however, went largely unnoticed at the time, with Gibson paying no particular attention to selecting wood with distinct grain patterns. Other cosmetic changes on the 1959 Les Paul Standard included a slightly thinner neck profile, a smaller heel, and a change to larger "jumbo"-sized frets, which are still in use today.

Finish
The guitar's new Cherry Sunburst finish also saw its first full year of use in 1959, despite problems with the consistency of the red pigment used to paint it--a problem that wasn't corrected until late 1960. This caused the finish on many guitars to fade to some degree of amber, honey or yellow hue, further adding to the beauty and mystique of the instrument.

Famous Players
One of the first guitarists to recognize the potential of the 1959 Les Paul Standard was The Rolling Stones' Keith Richards, who obtained a 1959 model in 1964 that had been outfitted with a Bigsby tremolo tailpiece. Around 1966, emerging British guitarist Eric Clapton--himself influenced by the early 1950s Les Paul models played by Freddie King and Hubert Sumlin--also recognized the Les Paul Standard's exceptional tone and playability, and began playing them almost exclusively. Before long, the Les Paul Standards of the late 1950s had found their way into the hands of future guitar legends Jimmy Page, Jeff Beck, Duane Allman, Peter Green and Michael Bloomfield, among others, eventually helping to reshape the sound of a worldwide musical movement, while forever changing the standard by which all other electric guitars are measured.

Near-perfect Recreation
The 1959 Les Paul Standard reissue produced today by Gibson Custom is true to all of the original instrument's features and characteristics, including Gibson's traditional hand-carved "figured" maple top and solid, non-weight relieved mahogany body. The headstock is made from Holly head veneer, as opposed to fiber, just like it was in 1959, and the vintage-style tulip tuners are mounted in a straight line, also as they were on the original. The 24 3/4-inch scale length neck is made from one solid piece of mahogany, and attached to the body using a long neck tenon--one of the Les Paul's more distinguishing characteristics of the 1950s. The neck is topped by a 22-fret rosewood fingerboard outfitted with acrylic trapezoid inlays matching the size and color of the originals. Of course, two of Gibson's legendary Burstbucker pickups deliver all the subtle variations of true, classic "Patent Applied For" humbucker tone by using historically "unmatched" bobbin windings and Alnico II magnets. Other historical appointments include CTS potentiometers, bumble bee capacitors, rolled creme-colored fingerboard binding, single-ply creme-colored binding around the body, and a period-correct thin toggleswitch washer and jackplate. The 1959 Les Paul Standard comes in either a V.O.S. or Gloss finish, and with the standard Gibson Custom case, custom care kit and certificate of authenticity. They are available in Faded Tobacco Burst, Washed Cherry Burst and Iced Tea Burst.

Available at Amazon Check Price Now!

*** Product Information and Prices Stored: Dec 12, 2012 11:48:24